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Usually ships in 1 business days | | Only 1 left in stock, order soon! | | | | | | Paul Giamatti and Edward Norton lead an all-star cast in this "stunning" film that conjures an exhilarating blend of suspense, romance and mind-bending twists. The acclaimed illusionist Eisenheim has not only captured the imaginations of all of Vienna, but also the interest of the ambitious Crown Prince Leopold. But when Leopold's new fianc‚e rekindles a childhood fascination with Eisenheim, the Prince's interest evolves into obsession...and suddenly the city's Chief Inspector finds himself investigating a shocking crime. But even as the Inspector engages him in a dramatic challenge of wills, Eisenheim prepares for his most impressive illusion yet in this "mesmerizing" and "beautifully acted" film that "teases you until the very end!" | | | |
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| | Product Details | | Actors: | Edward Norton, Jessica Biel, Paul Giamatti, Rufus Sewell, Eddie Marsan | | Director: | Neil Burger | | Format: | AC-3, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC | | Language: | English | | Subtitle: | English, Spanish | | Number of Discs: | 1 | | Studio: | 20th Century Fox | | Run Time: | 110 minutes | | DVD Release Date: | January 09, 2007 | | Average Customer Rating: |  based on 526 reviews |
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| | Customer Reviews | Average Customer Review: ( 526 customer reviews )
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Most Helpful Customer Reviews
249 of 283 found the following review helpful:
 All Is Not What It Seems / Is That All There Is? Aug 21, 2006
By prisrob
"pris,"
"Eisenheim, making it easier to appreciate the movie's elegant cinematic sleight of hand. As with any good magic show, the fun of a picture like this lies in knowing that we're being tricked and trying to figure out how the trick works, rather than having the rug pulled out from under us all of a sudden at the end." LA Times.
"The Illusionist" directed by Neil Burger is a powerful film that tells the darkly, romantic story of an "Illusionist", Eisenheim, played by Edward Norton who falls in love as a teenager to Sophie von Teschen, Jesscia Biel. Because Eisenhiem was poor and Sophie from a wealthy upper-class family the union was not to be. We return to the Vienna of the 1900's, Eisenheim is now a famous Illusionist and he finds Sophie is engaged to Crown Prince Leopold, one who is said to be a sadist with his ladies. In the opening scene, Eisenheim is found alone on the stage. The dark, simple, dreary, stage that comes to life when Eisenheim displays his art. This magic is worrisome to Crown Prince Leopold, played by Rufus Sewell and he orders Chief Inspector Uhl, Paul Giamatti, to arrest Eisenheim for fraud. This dark, sinister plot adds to the feel of the film, it is as if the dim light hides a glow. The magic of an orange seed that blooms into a full orange tree bearing fruit. And, the ghosts that fade into view and then disappear. We want it to be so, we want to believe that "all is not what it seems", and then again "is that all there is?"
The plot thickens as Sophie faces danger and Eisenheim accuses Crown Prince Leopold of misdeeds. A game of cat and mouse ensues and it is Chief Inspector Uhl who becomes the centrist trying to decide who "The Illusionist" is and what is real. Paul Giamatti steals this movie, in my opinion. He is ruthless and thoughtful and in the end we discover he is also a man of the law. We discover, through Chief Inspector Uhl that this film is a moral story about power and deception.
The photography and film are powerful. The old Austria is well represented. The feel of the early 1900's and the era of Prince Joseph Franz and what is to come, spring to life through the scenes of the richness of Crown Prince Leopold's surroundings compared to a simple hunting lodge. We are able to feel the darkness and the glow that survives.
The soundtrack to "The Illusionist" recorded by Philip Glass is a marvelous score. The music becomes a large part of the movie, telling the story when there is no dialogue. The music is eerie and telling and lovely and matches the darkness that starts to glow.
This is a movie to remember, a movie to ruminate -is this real, is that all there is? The wooden necklace that Sophie wears was made by Eisenheim just for Sophie, and is an allegory of this film. It is made in such a way that when opened, becomes a heart with a picture of a young Eisenheim inside. Think about this- when opened, the truth is revealed. "This is a movie in which the future doesn't exist -- all that matters is the misty golden halo of its own present, a vibrant city standing at the edge of a new century. Blink and it's gone. But at least the glow remains." salon.com
Highly Recommended. prisrob 08-21-06
67 of 76 found the following review helpful:
Sepia-toned Beauty in Mystery and Passion Sep 24, 2006
By Kelly L. Norman
"li'l rock & roller"
Set in Vienna, filmed in Prague,and just about as lovely as anything I've seen on the large screen, "The Illusionist" stars Edward Norton as a charismatic magician, and Jessica Biel as his high-born love interest. In keeping with its magic and later, occult, theme, the film unwinds through shadow and darkness, like a carriage being horsedrawn through fin-de-siecle Europe's narrow streets. Philip Glass's minimalist score, rather than acting as an anachronism as one might expect, enhances the ethereal, other-worldly quality. Edward Norton brings to Eisenheim, the central character (the book is based on the short story "Eisenheim, the Illusionist", by Steven Millhauser)an understated quality that adds to the sense that he always knows more than we do...and more than the characters in the film, including the two that most want to undo his works of magic, Inspector Uhl and Crown Prince Leopold. Unfortunately, the latter is engaged to Dutchess Sophie van Teschen, Biel's character. Leopold's intent is not only to prevent his lower class rival's success, but to control Sophie completely. Uhl, on the other hand, continues to respect Eisenheim, even as he is carrying out the Crown Prince's orders to shut the magician's show down.
As the tale unwinds (and it does ever more quickly as it moves toward the end), we do learn more and more about what lies behind Eisenheim's sad eyes. When Sophie's body turns up in the river after an argument with Leopold, Eisenheim's shows take on a dark change and he becomes kind of a "John Edwards" of the 19th century...but this John Edwards can summon holographic ghosts onto the stage, much to the delight of his audience. Is he becoming more and more obsessed and perhaps insane as Sophie begins to appear in these seances? In a twinkling, we find out as much about Eisenheim as we have during the entire film, and the lines in the Sophie-Leopold-Eisenheim triangle between the innocent and the devious aren't so clear.
A film to be savored.
39 of 43 found the following review helpful:
Film example of great storytelling Mar 03, 2007
By C. Middleton
This is an excellent gothic thriller based on the short story by Steven Millhauser, Eisenheim The Illusionist, set in late 19th century Vienna about the son of a young cabinetmaker who falls in love with a young Viennese aristocrat and is banned from seeing her as he is a basic commoner. As the legend goes about the young lad, he meets a travelling magician on the road who shows him the secrets of illusion, where he sets off to exotic lands to learn the mysteries of life. He returns to Vienna after his travels and opens a show in the great city to astonish not only Vienna's common public with his quasi supernatural illusions, but also Crown Prince Rudolf, son of Emperor Franz Josef who then reigned over the Austrian Hungarian Empire.
Originally the short story was written as a political criticism of the Monarchy, based on the scandalous incident, where the bodies of Rudolf and his mistress, Baroness Mary Vetsera were found shot in a Royal hunting lodge, apparently a murder suicide which the Royal family kept from the public for many years.
Edward Norton as Eisenheim is understated and brilliant, as the many sleight of hand tricks in the film were actually done by the gifted actor. Norton must have practiced for months to reveal such confidence and skill needed for these types of trick. However, Norton's character portrayed a perfect man of mystery, begging the question, are these mere illusions or does Eisenheim possess supernatural power, controlling matter, energy, space and time itself.
The special effects in this film are well done. My favourite illusion in the film, (and they're many) is the Excalibur Sword illusion where Eisenheim borrows Rudolf's sword, somehow magnetizes it to the stage standing straight up, asking the various aristocrats' in the audience to release it from its position. Of course none can release the sword, as they, like the Arthur legend, are not meant to be king. When Prince Rudolf attempts to pull the sword from its stationary stance, he finally does so with great effort; by causing the ruthless Prince some embarrassment, Eisenheim is now a targeted enemy of the Crown.
Paul Giamatti as the corrupt Inspector Uhl really shows what a versatile and gifted actor he really is, able to do comedy, tragedy, fantasy...a very impressive performance.
The overall look of the film had the atmosphere as if we are viewing a primary historical source, the director using 80 year old editing techniques etc., this was unusual but effective for such a mixed genre film - fantasy, thriller, supernatural thriller and fairy tale romance.
When first seeing this film I was spellbound and the ending, a perfect twist, making The Illusionist a perfect example of skilful storytelling.
This is an excellent film.
23 of 27 found the following review helpful:
 wonderful film, flawed blu-ray Jun 28, 2010
By King Me
The Illusionist is one of my favorite films. A unique magic/mystery/love story that is wonderfully written, perfectly cast and excellently directed and acted. The blu-ray is a solid improvement over the dvd, however, because the film was shot in a bit of a soft-focus way, it may not come across as razor-sharp as the newer blu-rays. Still, its well worth an upgrade from the dvd for such an excellent movie.
My only criticism is with the rest of the blu-ray treatment. While the picture and sound are excellent, everything else is an embarrassment. There is no main menu, no chapter selection or bookmarks, and no special features on the blu-ray disc. Just a garish intro page telling the viewer that they can access the specifications by pressing the top-menu button. That gives you access only to the audio setting. And there are no subtitle options either. Madness! Subtitles actually would help occasionally on this particular film as sometimes the actors are speaking quietly and are difficult to hear, and what they are saying is important to the mystery of the film.
This set includes the original dvd disc which DOES have a main menu with all the expected options, so the buyer gets a bizarre combination of a blu-ray disc with nothing but a hi-def picture, and a vastly inferior standard-def disc that treats the film with at least a little of the respect that it richly deserves.
In the end, I'm glad to finally have a hi-def version of The Illusionist, but I'm baffled and frustrated that Fox treated it with such contempt.
8 of 8 found the following review helpful:
 If Only Life Were Like This! Jan 07, 2008
By K. Boullosa
I was taken by surprise when I saw this film - I had read Steven Millhauser's short story, on which it is based, but had missed the film when it came out. The film takes the bare bones of the short story and imposes upon them the intense childhood attachment between Eisenheim and his aristocratic neighbor, and the ensuing romance touching the core of the Hapsburg dynasty shortly before it and its empire go down to ruin. Neither the childhood romance nor the rivalry with the Hapsburg heir appears in the short story. I am usually outraged when original literary works receive such treatment by Hollywood. However, in this case, I was rewarded with a lovely, romantic jewel of a film that works quite well on its own terms. The script begs one or two narrative questions, but this is one of the rare cases in which these don't matter much, overall. Contrary to the opinion expressed by a reviewer below, in my opinion the film is defined by the sense of hidden strength and longing with which Edward Norton imbues Eisenheim. The broken childhood attachment that convinces him to follow his calling as a magician, and the later reunification with his lost love that this choice brings about, make for a very satisfying journey, indeed. It is precisely Eisenheim's ability to hide his thoughts, his canny self-control, and his relationship to his magic (which is to say, his broader view of what is possible and what is not), and their ultimate triumph over blunt authority and the social order, that make the film so appealing.
The rest of the cast is very good, as well, particularly Paul Giammati as the police inspector and Rufus Sewell as the unstable and vicious Crown Prince Leopold. Jessica Biel is the weakest leak in this chain as Eisenham's (adult) love: her "Viennese" accent slips the most often, and she is not as charismatic as Norton, but she does well enough and doesn't spoil the movie. The film is set in Vienna in 1910, and the American actors, as well as the British Sewell, were coached to produce a "Viennese" accent, but it isn't, quite, and the result among the Americans is an inconsistent sound that is neither British nor Viennese, and which Biel, in particular, had trouble maintaining. There are a few narrative weakness. One is the Duchess not recognizing Eisenham, the love of her youth, 15 years later as she stares into his eyes on stage - he was already an extraordinary young magician when she first knew him and already possessed of an adult voice. Then there is the little matter of the Duchess's exit, apparently with no questions from the noble family who presumably would have wished to bury her! But these quibbles, somehow, are easily set aside in the somewhat fairy-tale-like atmosphere of the film, which was imaginatively shot in sepia tones that enhanced this. This eerie atmosphere is also greatly enhanced by Philip Glass's delicate, mysterious score. Romantics, rebels, and dreamers everywhere will appreciate the themes of this film as expressed through the relationships among the characters. The magical effects, of course, are enhanced by the wonders of computer technology. One is aware of this while watching, but doesn't care.
A charming and romantic film with a truly unique feel to it, highly recommended.
See all 526 customer reviews on Amazon.com
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